Spaghetti Westerns, a distinctive subgenre of Western films, emerged in the mid-1960s and captivated audiences worldwide with their unique style, storytelling, and memorable music. These films, predominantly produced and directed by Italians, earned their moniker due to their origin in Italy and the heavy Italian involvement in their creation. Unlike traditional American Westerns, Spaghetti Westerns often showcased a grittier, more cynical view of the Old West, characterized by morally ambiguous characters, stark landscapes, and dramatic, operatic scores.

Film noir, a genre that emerged during the 1940s and 1950s, is distinguished by its dark, cynical, and visually striking style. Rooted in German Expressionism and shaped by the socio-political climate of post-World War II America, film noir captures the essence of a world filled with moral ambiguity, existential dread, and complex characters. The visual style of film noir is iconic, characterized by stark lighting contrasts, deep shadows, and an overall chiaroscuro effect.

Yellow journalism, often referred to as the yellow press, is a term used to describe a style of journalism that prioritizes sensationalism over factual reporting. Originating in the late 19th century, yellow journalism played a significant role in shaping public opinion and politics, particularly in the United States. This style is characterized by eye-catching headlines, exaggerated news stories, and scandal-mongering, all designed to attract readers and boost newspaper sales. The term “yellow journalism” was coined during a fierce circulation war between two New York City newspapers, Joseph Pulitzer’s “New York World” and William Randolph Hearst’s “New York Journal.